In discussion with Oscar, he reminded me that "art therapy is the result of people's creativity in the process of creation, and the healing effect is achieved by their creation instead of getting or seeing something." But he still suggested that I can research the art therapy centre to see the actual situation and to do some recorded interviews and records. Regarding the idea of the final work, I mentioned the form of the 'shackles', through which the feeling of being bound, expressing the state plagued by memories. But he thought that the way 'too strong', he mentioned the material test I carried out before, and the traces of the salt block after the fire burned which made him feel that there are many possibilities, such as the effect of stalactites.
Under his suggestion, I will continue to experiment with materials for fire and salt and to discover new inspiration through experiments.
I will still consider the form of fetter and chains, so I plan to use the engraving machine to engrave the Himalayan salt blocks.
In the case of not considering the use of glue bonding, the above is the method that Maiko and I imaged about the method to contact the chain. This reminds me of the combination of traditional Chinese woodware. I believe that these methods will help my work.
In the material section, I mentioned that I hope that the work has a 'healing' function, so Oscar also suggested that I should not only consider the concept, but also the healing role of the material itself. In the discussion, we mentioned Epsom Salt, I can do more research and experiments on this salt.
Other:
When discussing the work of my classmates, Oscar shared two works that I was very interested in.
Nendo Studio
Nacho Carbonell
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