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The Origins of Natural Materials in Jewelery Humans have never been content to leave their bodies in their natural state. From the very earliest times, our ancestors not only drew designs on their skin with soot or ochre pigments but devised numerous ways of attaching a variety of significant objects onto their bodies. The see ability to invent and create symbols is one among the features that distinguish humankind from the other species that share our world, and jewelery was one of its first manifestations. In essence, social beings, humans have always needed to create symbolic codes, both verbal and visual, to express themselves and communicate with others.
Accessories are closely related to people's expression，and people gradually force more on the meaning of the jewelry they wear rather than the expensive materials that as a language.
In the creation of jewelry, according to your emotional thoughts, you can find the corresponding materials, as a medium to pin your emotions, and thus resonate with the wearer and others.
Japanese designer Kurokawa Yasushi said that the feeling of "love" has a feeling of being hidden from others in everyone's body. Even the feelings of people who do not know or who have not seen will exist in the form of love and body. The sense of presence of the applied materials, the emotions as a medium to blend their feelings with the work. In the media research master McLuhan's pen, "the medium is an extension of the human body", all media can have some connection with the human body. Everything that makes a relationship between people, people and things or things and things is a broad medium.
Lover's Eye Jewelry originated from George's micro-carvings, originally painted on the carved ivory to draw a watercolour painting of a spouse, lover or child's eye. This jewellery is often worn with some emotional factors, made into bracelets, brooches, pendants or rings, and are decorated with a large number of decorative borders such as metal, enamel and pearl.
The lover's eye was originally derived from a love story from the Prince of Wales in 1785. In a marriage not recognized by King George and the Royal Court, the lover's eye is a sentimental object for the European and American aristocracy in the following decades. And the wealthy family loves it.
Eye-shaped jewellery, also known as the "lover's eye", most gifts are a gift to express love. Some are also painted to commemorate the dead. Everything is intimate and extremely precious: the eyes are painted on ivory pieces smaller than the little fingernails, and then inlaid on gold ornaments, these ornaments can be stuffed into the pockets, or the needles are close to the heart.
Miniature portraits depicting the entire face of a lover are also popular (usually they will tie a slap or a strand of hair behind a small canvas). By observing this small portrait, the wearer can "think of someone's face." These paintings act as a substitute for kissing, being pressed against the chest and talking to them when they are missing.
Let us see the expressions of the material itself; the material itself is objective. Through the subjective analysis and thinking of materials, respect the attributes of materials, combine different expressions and their own emotions, and make them fully blend with materials. It is inspired by materials and uses materials as a medium to interpret one's emotions and emotionally to understand oneself and materials.
For Kurokawa, the choice of materials is the starting point. He will fall in love with a material and have a relationship with it. If the variant relationship is established, the material will let him know how to get along with the material. The BI necklace is made of a dichroic mirror that can refract two colors. This material is generally used in the field of light applications and construction. His unusual color reflection fascinated him
The texture and shape of the material itself are objective. For objective things, different people will have different feelings. By subjective analysis and thinking of materials, respecting the attributes of materials, and using the representational, abstract or decorative expression techniques to fully blend their emotions and materials. It is inspired by materials, and uses materials as a medium to interpret one's emotions. It uses emotions to understand oneself and materials, adds a touch of subjective emotion to materials, and makes materials more beautiful and meaningful.
Christina Bothwell, born in the United States in 1960, is an artist who uses glass and clay to make sculptures. Glass is an ordinary item that can be seen everywhere in our lives, such as the window on the high-rise building. Every morning, I wake up to brush my teeth and wash my face. People’s sense of presence in a glass is getting lower and lower, but it is because it keeps you from being surrounded by reinforced concrete in the building. It allows you to bathe in the warm sunshine and see the beautiful view.
Christina Bothwell sees the unique sparkle of this ubiquitous material and uses it to be transparent to express the inner being of the human being - the soul. She said: "In my work, I am full of my views on birth, death and rebirth. I have a strong interest in the invisible "inner" of everything I see in life. I try to express it. So I chose the transparent material of glass because it can do what other sculpture materials can do, and also has the internal space and integration of light that other sculpture materials do not have.“
There are five groups, We allowed they would draw a paper(different emotion are written on the paper, such as 'blue','enthusiastic','embarrassing'.) randomly, and they should pick different material on the table to do a 'jewelry' to express that words(emotion).
First Group
Second Group
Third Group
Fourth Group
Fifth Group
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